director | dramaturg | producer

ABOUT MY WORK 

As a dramaturgically-driven director, I ground my work in the text and the context of each production. Why is it essential that we make this play here and now? What larger questions are the play and its writer exploring? Whether I'm collaborating with a playwright to develop a new work or delving into an extant contemporary or classic play, I encounter each text on its own terms, building my directorial vision on the foundation of what makes each piece unique. I am fascinated by innovative ways of unfolding story and revealing character, and am most inspired collaborators and projects that challenge me and my assumptions about what theatre can do.  

PREVIOUS PROJECTS

Click on a photo to learn more about each of these projects. If you'd like to chat about process or context for any of them, don't hesitate: contact me. You can also grab a copy of my full resume here. If a CV is more your style - dig this.

AS YOU LIKE IT by William Shakespeare / Gavin Witt

381 BLEECKER by Gia Marotta

TENDER ROUGH ROUGH TENDER by Sarah Saltwick

ENTER A WOMAN, PRETTY ENOUGH by Diana Lynn Small

100 HEARTBREAKS by Joanna Garner

LYLA SCHOOL by Brian Kettler

A STREETCAR NAMED DESIRE by Tennessee Williams

'RATIO by David Turkel and Bill Anderson

DEAD MAN'S CELL PHONE by Sarah Ruhl

SAL Y PIMIENTA by José Cruz Gonzalez

70 SECRETS OF MARMALADE KITTENS by Gabrielle Reisman

WE ARE STARSTUFF by Sarah Saltwick

ARCADIA by Tom Stoppard

BURYING MISS AMERICA by Brian Golden

HIDEOUS PROGENY by Emily Dendinger

LIGHTHOUSEKEEPING adapted by Georgette Kelly

ORANGE FLOWER WATER by Craig Wright

REEDEMERS by Bilal Dardai

THE MAN WHO WAS THURSDAY adapted by Bilal Dardai

TOUCH by Toni Press-Coffman

SIX YEARS by Sharr White

THE DINING ROOM by A.R. Gurney

VOX PANDORA by Bilal Dardai